"Aline is a mega-talent, fluent in many genres. Highly intelligent, creative, always thinking outside the box!"

Cynthia Powell, Artistic director, Melodia Women's Choir

"In the Golden Age of Broadway they called singing, dancing and acting a triple threat; but it goes much further with Demoiselle Mayne who seems to know no limits. Aline has sung for several opera companies, and did a series of solo shows in New York City covering Bel Canto and Bizet to Bernstein with great elan."

Lawrence de Martin, Chief Science Officier, Spectrum NYC

"Classically trained as singer and actress, Aline is one of the most fascinating and unique contemporary artists. Her life is like an open adventure book, where everything is possible."

Full interview: www.top40-charts.com

Video/audio recordings available upon request


Roles performed:                               *partial

Violetta Valéry (La Traviata, Verdi)*

Lucia Ashton (Lucia di Lammermoor, Donizetti)*

Der Königin der Nacht (Die Zauberflöte, Mozart)

Konstanza (Die Entführung aus dem Serail, Mozart)*

Zerbinetta (Ariadne auf Naxos, Richard Strauss)*

Olympia (Les contes d'Hoffmann, Offenbach)

Dew Fairy, Sandman (Hansel und Gretel, Humperdinck)

Kate Pinkerton, Cousin (Madama Butterfly, Puccini)

Grindr, The Opera (Grindr, Erik Ransom - World Première)

Miss Goodwill (Scrooge and Gilbert & Sullivan, Nathan Hull)

Roles covered or fully/partially studied:

Manon (Manon, Massenet)

Marguerite (Faust, Gounod)

Juliette (Roméo et Juliette, Gounod)

Carmen (Carmen, Bizet): I have castanets, Spanish guitar, tap shoes and tambourine...

Micaëla (Carmen, Bizet)

Mimì (La Bohème, Puccini)

Musetta (La Bohème, Puccini)

Susanna (Le nozze di Figaro, Mozart)

Barbarina (Le nozze di Figaro, Mozart)

Oscar (Un ballo in maschera, Verdi)°


Aline Mayne sang the roles of The Queen of the Night in "The Magic Flute" (conduced by Phil Nuzzo), Olympia in "The Tales of Hoffmann" (conduced by Jason Tramm), and scenes from "Lucia di Lammermoor" as Lucia, from "La Traviata" as Violetta, from "Ariadne auf Naxos" as Zerbinetta, and others. She also sang the title role in the world première of the crossover musical “Grindr, the Opera”. She performed at various venues in Europe and North America, including Carnegie Hall (NYC) and La Monnaie (Brussels).

Aline Mayne studied voice with Belgian soprano Laure Delcampe and Bulgarian bass Valentin Peytchinov. She attended the Royal Conservatory of Mons (Belgium) in the the music composition major (class of Claude Ledoux), with a piano minor. There, she played piano in the Conservatory’s orchestra, sang with the choir, and also studied orchestration, music analysis, 16th century counterpoint, harmony, solfège, music history, electroacoustic music, chamber music and improvisation. Additionally, she studied classical guitar, church organ and cello at various music academies in Belgium and taught herself some bass guitar and drums. Her native language is French, she speaks some Italian and Dutch and have adequate knowledge of German and Latin.

Aline also studied dramatic arts at the Royal Athenée of Rixensart (Belgium), where she acted in plays such as “Le Marriage de Figaro” by Beaumarchais and “Spring Awakening” by Frank Wedekind. She is an award-winning and critically acclaimed singer-songwriter and regularly works in films and TV shows as actress and stuntwoman. You can find her on The Blacklist (NBC), Westworld (HBO), Fear The Walking Dead (AMC), Gotham (Fox), The Undoing (HBO), Blue Bloods (CBS), and many more. Aline has worked as a dancer and has extensive training in ballet, contemporary, jazz, vogue, tango and salsa, as well as in martial arts, weapons and stage combatShe loves rock climbing and mountaineering, horseback riding, photography and creating fine arts.


Arias repertoire:

*work in progress



Thy hand Belinda... When I am laid (Dido and Aeneas)

Pursue thy conquest love (Dido and Aeneas)

Fairest island (King Arthur)


Ombre pallide (Alcina)*

Tornami a vagheggiar (Alcina)



Giunse al fin il momento... Deh vieni (Le Nozze di Figaro)

Porgi amor (Le Nozze di Figaro)*

Dove sono (Le Nozze di Figaro)*

L'ho perduta (Le Nozze di Figaro)

Crudele?... Non mi dir (Don Giovanni)*

Or sai chi l'onore (Don Giovanni)*

Come scoglio (Così fan tutte)*

Per pietà (Così fan tutte)*

Batti, batti (Don Giovanni)

Vedrai carino (Don Giovanni)*


Der Hölle Rache (Die Zauberflöte)

O zittre nicht (Die Zauberflöte)

Ach ich fühl's (Die Zauberflöte)

Martern aller Arten (Die Entführung aus dem Serail)

Ach ich liebte (Die Entführung aus dem Serail)*

Traurigkeit (Die Entführung aus dem Serail)*

Durch Zärtlichkeit und Schmeicheln*

19th century:



Una voce poco fa (Il Barbiere di Siviglia)

Nacqui l'affanno... Non più mesta (La Cenerentola)*

Una volta c'era un re (La Cenerentola)*


Casta Diva... Ah! bello a me ritorna (Norma)*

Oh! Quante volte (I Capuleti e i Montecchi)*

Ah! Non credea... Ah! Non giunge (La Sonnambula)*


Regnava nel silenzio (Lucia di Lammermoor)

Il dolce suono... Spargi (Lucia di Lammermoor)

Piangete voi... Coppia iniqua (Anna Bolena)*

Prendi, per me sei libero (L'elisir d'amore)*

Della crudele Isotta (L'elisir d'amore)*


E strano... Sempre libera (La Traviata)

Teneste la promessa... Addio del passato (La Traviata)

Caro nome (Rigoletto)

Tacea la notte (Il trovatore)*

O patria mia (Aida)*

Volta la terrea (Un ballo in maschera)

Saper vorreste (Un ballo in mascera)


Sola, perduta, abbandonata (Manon Lescaut)

Sì, mi chiamano Mìmì (La Bohème)

Donde Lieta (La Bohème)

Sono andati? (La Bohème)*

Quando m'en vo' (La Bohème)

Vissi d'arte (Tosca)

Un bel dì (Madama Butterfly)*

Tu, tu, tu (Madama Butterfly)*

Senza Mama (Suor Angelica)*

O mio babbino caro (Gianni Schicchi)


Stridono lassù (I Pagliacci)*


Voi lo sapete, o Mama (Cavalleria Rusticana)*



Le roi de Thulé... Je ris de me voir si belle (Faust)

Il ne revient pas (Faust)

Je veux vivre (Roméo et Juliette)

Amour, ranime mon courage (Roméo et Juliette)*


Je suis encor tout étourdie (Manon)

Suis-je gentille... Profitons bien de la jeunesse (Manon)*

Allons, il le faut... Adieu notre petite table (Manon)*


A vos jeux, mes amis (Hamlet)*


L'amour est un oiseau rebelle (Carmen)

Près des remparts de Séville (Carmen)

Les tringles des sistres tintaient (Carmen)

Je vais danser... Ah! J'étais vraiment trop bête... (Carmen)

Non, tu ne m'aimes pas (Carmen)*

En vain pour éviter (Carmen)*

Je dis que rien ne m'épouvante (Carmen)*


Les oiseaux dans la charmille (Les contes d'Hoffmann)

Elle a fui la tourterelle (Les contes d'Hoffmann)*


Mon coeur s'ouvre à ta voix (Samson et Dalila)


Chacun le sais (La fille du régiment)

Il faut partir (La fille du régiment)*


Où va la jeune Hindoue (Lakmé)


Ombre légère (Dinorah)*



Отчего это прежде не знала (Iolanta)*



Wo bin ich, war ich? (Hansel und Gretel)*

Der kleine Sandmann bin ich (Hansel und Gretel)

Der kleine Taumann heiss'ich (Hansel und Gretel)

Johann Strauss II:

Mein Herr Marquis (Die Fledermaus)

Klänge der Heimat (Die Fledermaus)*

 Mein Herr, was dächten Sie von mir (Die Fledermaus)*



Měsíčku na nebi hlubokém (Rusalka)*


Gilbert and Sullivan:

Poor wandering one (The pirates of Penzance)*

20th century:



Be kind and courteous (Midsummer night's dream)*


Dearest Mama (The ballad of Baby Doe)

Willow song (The ballad of Baby Doe)*


Glitter and be gay (Candide)

I feel pretty (West side story)*


My man's gone now (Porgy and Bess)

Summertime (Porgy and Bess)


Art is calling for me (The Enchantress)


I could have danced all night (My Fair Lady)


Richard Strauss:

Großmächtige Prinzessin (Ariadne auf Naxos)


Vilja lied (The Merry Widow)*

Meine Lippen, sie küssen so heiß (Giuditta)



Arrière! Je réchauffe les bons (L'enfant et les sortilèges)*

Oui, c'est elle (L'enfant et les sortilèges)*

Toi le coeur de la rose (L'enfant et les sortilèges)

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